Synopsis:
Recently divorced and with a young child to take care of, Marion shacks up with new fella Mingus. However, her family, fresh from Paris to visit her son, put a heavy strain on their relationship.
Julie Delpy returns with the sequel to the perfectly
wonderful Two Days in Paris. It’s
also an excellent example of sequels coming up short to the masterpieces that preceded
them. I wouldn’t compare the drop in quality to the likes of the ever worsening
Transformers franchise but there’s a
tendency with sequels to try and out-do the previous outing not with a deeper or
more meaningful narrative but to simply throw more money at it and hurl the
characters into more outrageous situations. Two
Days in New York is no different. The subtle craziness of Paris was
engaging in the first outing but this
time the crazy comes to New York in the form of Marion’s family as well as the
completely unneeded addition of one of her ex-boyfriends. Every character is exaggerated and the charm
is completely lost.
This is a shame as the film started off well. Chris Rock was
actually a nice addition to the cast and COULD have fitted in well. The reason
he didn’t gel as well as Jack did in the original is because he’s far too
normal. He’s just a guy with no interesting quirk or habit, just nothing. Last
time Jack had his flaws and weirdness and so the relationship between him and Marion
remained captivating with their back and forth exchanges, one minute he’d be in
the wrong, the next minute she would and so on. But Chris Rock’s character is
so painfully normal you just feel sorry for the guy as this gang of French psychopaths
ruin his life.
But not all is lost… Grandpa to the rescue!! Jeannot is an
enchanting character. Played by Julie Delpy’s actual father, Albert Delpy
brings life to this picture which without him would have probably been an
absolute failure. At times all he has to do is throw a random stare of
confusion as he tries to understand an Americanism or the English language and
he’ll have you in stitches. He’s like an
Alien, so out of place and yet is completely oblivious to his own misunderstandings.
Well written and well-played. Something you’d expect from a writer of Delpy’s
standard, and yet her own character, the lead of all things, simply falls into
the background… just another pain in the arse for Mingus (Chris Rock) to have
to put up with.
Overview:
An admirable attempt at trying to out-do an already untouchable
film. In the end it tries too hard to compete and ends up injuring itself. It really
begs the question what was the point?
Rating:
★★★
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